Austrian Audio DMK1 Drum Microphone Kit

Unlock the full potential of your drum kits with the Austrian Audio DMK1, an 8-mic bundle that combines three different large-diaphragm condensers (one OC-B6 and two OC18s), a CC8 hi-hat condenser mic, three OC7 tom condenser mics, and the OD5 dynamic snare mic, with four drum clips, three windscreens, seven mic clamps, and a waterproof touring case.

CKR6-B Capsule

Integral to the performance of the OC-B6 is the CKR6-B capsule, which has been specially designed to withstand the high SPLs of a kick drum whilst delivering a pure, uncolored kick tone.

1" large-diaphragm true condenser capsule, the first in the world dedicated to kick drum recording

Edge contacted

Specially tuned for extreme SPLs via an increased distance between diaphragm and backplate

Patented ceramic isolator

Handmade in Vienna

Flexible Positioning with Consistent Results

The new OC-B6 Bass Drum Microphone delivers excellent results from all standard kick drum mic positions. Unlike many other kick mics which use dynamic capsules that suffer from proximity effect, the OC-B6 is designed to perform consistently whether it’s placed outside the drum, right at the port, or inside the shell.

Handcrafted Condenser Capsule

Handcrafted CKR6 ceramic capsule like the CKR12 capsule, but with a single diaphragm

Precision Matching

Matched within 1 dB of every other OC18 or OC818 to allow the creation of stereo pairs (additional microphones available separately)

Studio Sound Quality

High sensitivity and low self-noise means it can handle everything from a whisper to extreme SPLs without distortion

Onboard Settings

Two-stage pad (-10 or -20 dB) to prevent distortion and high-pass filter with three positions (40, 80, or 160 Hz) for reduction of low-frequency rumble and excessive bass

Features at a Glance

Single-diaphragm CKR6 handcrafted ceramic capsule

Debuts Austrian Audio's Open Acoustics Technology

Cardioid polar pattern

Balanced 3-pin XLR output connector

48V phantom powered

Includes shockmount, mic clip, windscreen, and protective carry case

Engineered and manufactured in Austria

Easy to Pair

The CC8’s small dimensions allow targeted positioning, even in tight and difficult places, both in the studio and on stage. Before leaving the factory, each microphone is measured and tuned (in a special in-house anechoic chamber) to a tolerance of max ±'0.5 dB sensitivity at 1 kHz. This means that any CC8 can be match paired with any other, regardless of production dates.

OCC7 Capsule

At the heart of the Austrian Audio CC8 microphone beats the OCC7 condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today.

Audio Performance

The OCC7 capsule and transformerless output give the CC8 a remarkably linear frequency response, handling extremely high sound pressure levels (SPL) of up to 156 dB, without distorting. Combined with a very-low self noise of only 16 dB(A), this results in an exceptional dynamic range.

Ideal Application

The CC8 excels in capturing the fast transient and spatial information required for an accurate recording

Small-diaphragm microphones are particularly popular for the detailed recording of various acoustic instruments found in classical ensembles and jazz formations, such as stringed instruments, woodwinds, and brass as well as orchestral percussion

in addition, instruments found in all genres like acoustic guitar, piano, snares, hi-hat, and entire drum sets (when used as overheads)

With quieter sources (for example, a soft stringed instrument or a voice) the CC8's low self noise comes into its own, and the nuances of the performance are captured with outstanding detail and clarity

Consistent Sound with Linear-Cardioid Polar Pattern

Precise directionality is a prerequisite for the targeted alignment of a microphone. The OC7 use Austrian Audio's Open Acoustics technology to deliver a linear-cardioid polar pattern that captures sound not only from the front but also the "bleed" from the rear or side, evenly and undistorted. This ensures that even the sometimes-unavoidable crosstalk from other instruments still sounds good.

Sturdy Microphone for the Stage or Studio

The OC7's true condenser capsule is perfectly protected by the microphone basket, allowing it to be safely positioned, even in places where the microphone might be subjected to knocks.

Versatile Swivel-Joint Mechanism

Austrian Audio's engineers have developed a swivel system for the microphone basket that allows a 220° rotation of the field. The microphone can be very easily aligned precisely to the sound source or according to personal sound preferences without having to awkwardly adjust or loosen the microphone stand—frustrations such as microphones falling off or fingers pinched on the stand are now a thing of the past.

Consistent Sound with Linear-Cardioid Polar Pattern

Precise directionality is a prerequisite for the targeted alignment of a microphone. The OD5 use Austrian Audio's Open Acoustics technology to deliver a linear-cardioid polar pattern that captures sound not only from the front but also the "bleed" from the rear or side, evenly and undistorted. This ensures that even the sometimes-unavoidable crosstalk from other instruments still sounds good.

A Great Workhorse Mic with Many Applications for the Stage and Studio

The OD5 features an active-dynamic circuit to ensure that even long cable runs have no undesirable effect on the signal. In addition, the active-dynamic design allows the integration of a two-position low-cut filter.

Versatile Swivel-Joint Mechanism

Austrian Audio's engineers have developed a swivel system for the microphone basket that allows a 220° rotation of the field. The microphone can be very easily aligned precisely to the sound source or according to personal sound preferences without having to awkwardly adjust or loosen the microphone stand—frustrations such as microphones falling off or fingers pinched on the stand are now a thing of the past.

Austrian Audio DPH12 Drum Holder Microphone Mount