مجموعة حزمة الاستوديو AKG C214

Assembled to make studio and home recording easier, this B&H Kit includes an AKG C214 Large-Diaphragm Condenser Microphone, a telescoping, multi-angle tripod stand, a balanced XLR cable, and a metal mesh pop filter that helps to reduce plosives and popping sounds. This kit is great for recording vocals, either spoken or sung, as well as a variety of instrument sound sources.

Sonic Character of the C414

AKG's legendary C414 needs no introduction as it is a tool found in most recording studios and has been used on thousands of hit records. Plus, it has been on stage withartists of every musical genre and is also used by leading broadcast facilities the world over. The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.

Low Noise and High Dynamic Range

The C214 has AKG's legendary large-diaphragm sound and is capable of incredible 143 dB dynamic range for uncompressed, life-like transients while delivering low self-noise of 13 dBA. The C214's edge-terminated capsule delivers a highly detailed, up-front sound that brings out nuances of any voice or instrument.

Pad and Low-Cut Filter

Thanks to its switchable -20 dB attenuation pad and 160 Hz low-cut filter, the C214 can be used in sound fields as high as 156 dB SPL. So, it can be used on stage for close-up miking for even very loud applications like drum overheads, guitar amps, or high-output brass.

Integrated Suspension

The C214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. The double mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting acoustical performance.

Rugged Construction

The C214 has a roadworthy construction quality with a scratch-resistant finish, a dent-resistant metal grille, and a gold-plated XLR output.

Features at a Glance

Cost-effective alternative to the C414 family

Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design

Cardioid polar pattern reduces pickup of stage bleed and room ambience

143 dB dynamic range (pad on)

156 dB maximum SPL (pad on)

Switchable -20 dB pad and 160 Hz low-cut filter

Integrated capsule suspension to reduce mechanical noise

Rugged double-mesh grille for RF immunity but unaffected acoustics

Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)

Spider-type shockmount and metal carrying case included

All-metal die-cast body with shock- and scratch-resistant finish

Designed, engineered, and built in Vienna, Austria

Auray MS-5230F Tripod Microphone Stand with Fixed Boom

Silver-Plated Connectors

Precious metals aren't famous for their looks alone—some also have characteristics that are advantageous for signal transfer. These silver connectors provide such characteristics, out-perfoming gold to a small degree during signal transfer.

Cleaner Sound

By preventing intrusive pops and plosives caused by bursts of air from p, f, and s sounds, the 512-Pop delivers a clear sound while saving you the time and energy often spent removing such sounds in postproduction.

Enhanced Protection

The 512-Pop features a metal mesh filter that more effectively disperses pops and plosives from speech and vocals compared to ordinary nylon pop filters. With its flexible yet sturdy gooseneck, you'll easily find the perfect placement that reliably stays in place.

Easy Attachment

An adjustable swivel C-clamp ensures a solid grip and attaches securely to any mic stand, boom arm, or custom desk stand.